Planning Travel To Fun Vacation Spots On Cold Winter Days

Now that Christmas is over and the cold weather has settled in, many people are starting to dream of warmer days and the chance to take a well-deserved vacation. This is the perfect time of year to start researching fun vacation spots. The Internet offers endless possibilities. It is possible to find a website for almost any destination in the world. Many of these websites allow the traveler the option of ordering brochures to assist in planning the perfect vacation. One of the best ways to spend a cold winter evening is to wrap up in a blanket, sip a cup of hot cocoa and explore exciting travel brochures.

Some fun vacation spots are even more beautiful than they appear in travel brochures. The island of Maui is one of these spots. Maui offers lots of fun activities along with a chance to relax in one of the world’s most beautiful locations. Two of the most amazing beaches on Maui are Kaanapali Beach and Napili Beach. These beaches offer many water sports from boogie boarding to snorkeling. There are also several exciting drives on the island of Maui. Many people choose to venture down the winding road to Hana. This road has many hairpin turns and is not for those with a weak stomach. At the end of the road, travelers are rewarded with an amazing view of the Seven Sacred Pools. The more adventurous travelers will get out and swim in these beautiful fresh water pools. Another beautiful drive on Maui is up to the Haleakala crater. This dormant volcano sits high in the clouds. Some people start their journey early to catch the sunrise and others choose to rent a bicycle at the top and ride to the bottom. There are always great shopping opportunities on Maui. The town of Lahaina offers quaint shops and unique art galleries. Every kind of souvenir can be found from t-shirts to expensive coral jewelry.

Another of America’s fun vacation spots is Walt Disney World. There are endless travel brochures advertising many different ways to see this magical theme park. Some Disney World travelers choose to save money by staying in neighboring cities near the park. This option offers a wide range of budget priced hotels and many less expensive food options. The down-side is that it takes a chunk of time each day to travel to and from the park. One of the best options is to stay at one of the resorts located inside Disney World. There are many hotel choices from budget to luxury. The advantage of staying on the Disney World property is that all of the the amusement parks are within a short distance. The hotels also offer complimentary bus, boat and monorail transportation to each of the parks. This saves time and parking fees. It is best to allow a full week to visit all of the Disney World parks. It is fun to spend a day at Magic Kingdom, Epcot, MGM Studios and Animal Kingdom. The kids also enjoy using a day to cool off at one of the water parks. Any extra days can be used to return and visit some of the favorite rides and attractions.

One of the fun vacation spots for the outdoor enthusiast is Yellowstone National Park. The travel brochures for Yellowstone give many options for lodging in the park. There are hotels, lodges and cabins. These sell out very quickly and must be booked early in the year. Many people like to experience the park very close to nature. They choose to stay in one of several campgrounds. Some people pull trailers into the park and others rough it in tents. Yellowstone offers two loop drives. On these drives it is possible to see many kinds of wildlife and lots of thermal pools and geysers.

It is possible to find a fun vacation spot to meet the needs of any traveler. The wide range of brochures can help plan lodging, meals and activities. The best thing about the travel brochures of fun vacation spots is all the pictures. They can create excitement for an upcoming adventure even on the coldest of days.

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Cape Point hosts party for HOKISA kids

Hosted by Cape Point Partnership, 22 children from Homes for Kids in South Africa (HOKISA) were treated to an early Christmas celebration. The party has become an annual event for the children whose lives have been impacted by HIV/Aids, and each child was asked to write a letter sharing their Christmas wish and Cape Point saw to it that their wishes were granted.
Cape Point hosts party for HOKISA kidsWishes, donated to the kids by Pick ‘n Pay staff, PUMA South Africa and Cape Point, included soccer boots, soccer balls, sneakers, clothing and toys. “Our annual Christmas party with HOKISA is the highlight of our calendar and leaves us in awe of people across the globe dedicating their lives to others in need. It has been moving to have such generous contributions from the staff of Pick ‘n Pay and PUMA to team up with Cape Point in making the kids’ dreams come true this year,” said Cape Point marketing manager, Judiet Barnes.

Thankful for kindness

“All involved parties have opened their hearts in the spirit of the festive season and granted, not just one, but up to three Christmas wishes a child. We are very thankful for their kindness in making this day come together for the children who would otherwise not receive Christmas presents. A big thank you as well to HG Travelling Services for transporting the kids and to SANParks for providing entry into the park,” Barnes said.

The celebration included a ride up the Flying Dutchman funicular, built in 1996 and named after the Flying Dutchman ghost ship sighted by sailors over the past three-and-a-half centuries. The children had fun travelling from the lower station to the old lighthouse where they enjoyed exceptional panoramic views of their surroundings, before heading back down to the feast that awaited them at Two Oceans restaurant. After celebrations, food and singing by the restaurant staff, Father Christmas arrived to hand out the gifts to the kids.

Giving back to community

“For Pick n Pay, giving back to communities is part of the DNA of our company. Helping the children of HOKISA have a wonderful Christmas is one of the many ways we are giving back this festive season and our way of saying thank you to all our customers, who support and shop with us,” said Andre Nel, general manager of sustainability at Pick ‘n Pay.

HOKISA was founded in 2001 in Masiphumelele informal settlement near Noordhoek in Cape Town, as a non-governmental organisation to contribute in the fight against AIDS. HOKISA cares for children living with, and affected by, HIV/Aids, full-time and in a family environment. When family members or neighbours cannot look after a child, they are placed at HOKISA by state authorities. Family members are encouraged to keep in touch with the children wherever possible.

The 25th Annual Stone Awards Winners

The exceptional talent of film and videomakers and the high excellence of work produced in film, television and new media were evident at the National Television and Video Association (NTVA) of the Western Cape’s 25th Annual Stone Awards held at Theatre on the Bay on Monday, November 17.
The top winner of the evening was Aland Pictures’ documentary ‘Cosmic Africa’, winning a Stone Award as well as seven craft awards. This extraordinary odyssey of an African Astronomer journey into this ancient continent’s astronomical past awarded three craft awards to Craig and Damon Foster – for their direction, cinematography, and art direction and styling. Other craft awards for ‘Cosmic Africa’ went to Damon Foster for his editing; Craig and Damon received a craft award for the script they co-wrote with High Brody, Barry Donnely received a craft award for the sound design, and Donelly and Grant Mclachlan for their music score.

A leading winner in the Newcomer competition was Harold Hölscher from City Varsity Film and Television School, who walked away with A Stone Award for his excellent short film ‘Ibali’, that explores the essence of heritage through storytelling. ‘Ibali’ also received four craft awards: Harold received recognition for his direction, Wynand Groenewald and Justin Baker for their animation skills, Catherine Hornby for the cinematography and actor Chris April for his touching performance.

In the Professional competition in the commercials category Suburban films received a Stone Award for the imaginative advert ‘Fork’ for Investec; it also received four craft awards: Miles Goodall for cinematography, the Refinery in Johannesburg and Cape Town for the special effects and Leon Morland and Rian Malan for the exceptional art direction. Suburban Films also received two Gold Awards for the commercials ‘Brother’ and ‘Candles – ‘Brother’ also received a craft award for the Jupiter Drawing Room for script and concept; and ‘Candles’ received a craft award for the Jupiter Drawing Room for the concept, for Leon Morland’s art direction, and Miles Goodall’s cinematography.

In the Professional competition a Stone Award went to documentary filmmaker Francois Verster from Undercurrent Film and Television for ‘A Lion’s Trail’, telling the story of the most popular son ever to come from Africa, Mbube, which eventually evolved into the internationally famous The Lion Sleeps Tonight. ‘A Lion’s Trail’ also received a craft award for Francois Verster for his direction and his collaboration with Rian Malan on the script and research; Francois also shares a craft for the Art Direction with Pete Neal.

Francois Verster’s documentary ‘When the war is over’, also received a Gold Award as well as craft award to Verster for his direction, the script by Verster and Per K Kirkegaard, and to Grant McLachlan and Peter Coyte for the music. One of Verster’s most personal documentaries, it deals with the after effects of the South African struggle against apartheid.

Another Stone Award winner is Atomic Visual Effects for their mind blowing showreel, also winning craft awards for Simon Hansen and Sharlto Copley for the original concept and innovation.

Atomic Visual Effects also received two Gold Awards: one for the music video Dream which they produced for the Durban-based group Jago, which also earned craft awards for Simon Hansen and Sharlto Copley for art direction and concept, and a craft award for their animation team.

Gold also went to Atomic Visual Effects for their innovative ‘Hellweek’ in the Corporate Communications category, that launched an imaginative digital artists training programme. It also received three craft awards: for the animation, to Simon Hansen and Sharlto Copley for post production, the script and concept.

Tswelopele Productios’ glitzy magazine show ‘Top Billing’ received a Stone Award for an episode that was transmitted in July this year; as well as a special craft award for presenter Michael Mol, and a craft award for consistency if a high excellence and standard in Magazine Shows. Top Billing also received three Gold Awards and four Silver Award in the Magazine Show category.

In the magazine show category Shoot The Breeze Productions won 10 Silver awards for the magazine show ‘Free Spirit, as well as a craft award for overall conceptualisation of the series and originality of subject matter.

The magazine talk show Vyuani Mzantsi walked away with five Bronze awards, Chat The Planet won a Silver and a Gold, as well as a special craft to Liz Fish, Duncan Irvine and Laurie Meadoff for the concept. The fun travel series Going Nowhere Slowly received a Silver Award.

Di Rosen Productions received five Bronze awards; two in the Art and Entertainment category for The North Sea Jazz Festival and The Best of Comedy Showcase, and three for inserts for the Tapestries.

Big World Cinema’s short film ‘Inja’, which raises awareness about prejudice on South African farms in South Africa, won a Gold Award as well as craft awards for Steven Pasvolsky for his script and direction, and to actors Anele Vellom and Lizo Makambi for their outstanding performances.

Other short films that received awards were Leila Fisher from the Visual Kitchen for ‘Birds, Bees and Advertising’, a satirical look at advertising, which also earned Sarah Jane Mould a craft award for art direction; and Glen Thomas from Max Headroom received a Silver Award for his one minute short film ‘The Painter’.

Homebrew Films received one Bronze and two Silver Awards for the lifestyle cooking series ‘Pampoen tot Perlemoen’, as well as a craft award for presenter Sonia Cobano who thanked her producers for “putting their money where her mouth is’.
In the social awareness category Plexus TV received four Silver awards for ‘Dreams and Teams’, ‘Hostel Stories’, ‘Everybody’s Cup of Tea’, and ‘Hometalk’.

Girls for Africa Media Works received Two Bronze Awards for the documentaries ‘Just Life’ and ‘Building Strong Families, Communities’ and a Silver for ‘Beyond the Bars’, a documentary that was commissioned by Pollsmoor Prison.

Only two sitcoms received awards; Bronze went to Penguin Film for the situation comedies ‘Fishy Feshuns’ and ‘Stokvel’.

In the New Media Category Wireframe Studio walked away with Gold with their interactive-game promotion ‘Whizzball’, which was developed for Discovery Kids and also earned a craft for Andries Odendaal for creative programming as well as a craft for the outstanding concept and execution. Wireframe Studio also received Bronze for their CD Ron Saridon.

Other winners in the new media category were Arctic Circle who won a Bronze for their showreel ‘Starstruck’, Michele Macklin received Bronze for her personal promotion website ‘Thorny Rabbit’, and the University of Cape Town was awarded Bronze for the websites they created for the Michaelis school of Fine Art, the Institute for Film and New Media, and the Drama Department.

In the Newcomer competition – students from film schools and training institutions and first time entrants – there were 10 Bronze awards, 7 Silver Awards, 6 Gold Awards and 8 Craft Awards. The prominent winners in the Newcomer competition were Media Village, Universal Computer Arts Academy, AFDA and City Varsity film and Television School. An independent entrant, Anthony Silverston won a Gold for his animated short ‘The Slipper Cycle’ as well as three craft awards – for creativity, direction and animation.

The success of the 25th Annual Stone Awards would not have been possible without the generous support from Theatre on the Bay, The Video Lab Cape Town, The Film Lab Cape Town, Atomic Visual Effects, AFDA, Universal Computer Arts Academy, Atkinson Television, Wireframe Studios, and Redshift Digital.